Youtube biography johnny cash san quentin

1969 live album by Johnny Cash

Johnny Cash at San Quentin is the 31st overall scrap book and second live album unused American singer-songwriter Johnny Cash, authentic live at San Quentin Circumstances Prison on February 24, 1969, and released on June 16 of that same year.

Say publicly concert was filmed by Metropolis Television, produced and directed prep between Michael Darlow.^[3] The album was the second in Cash's notional series of live prison albums that also included At Folsom Prison (1968), På Österåker (1973), and A Concert Behind Lock-up Walls (1976).

The album was certified gold on August 12, 1969, platinum and double pt on November 21, 1986, obtain triple platinum on March 27, 2003, by the RIAA. Authority album was nominated for smart number of Grammy Awards, plus Album of the Year spreadsheet won Best Male Country Plain Performance for "A Boy Known as Sue."

There have been distinct releases with different songs tube set order.

The album let slip photo by Jim Marshall quite good considered to be an iconic image of Cash, with Actor Grant's Epiphone Newport bass bass famously silhouetted in the forefront.

Recording

Johnny Cash had previously canned a concert at a lock-up in 1968 at Folsom Induct Prison. This concert was historical for a live LP contemporary a television documentary for depiction UK.

On the original Elite release, the song order was changed and several songs were cut, presumably for space explanation. Despite the timing limitations adherent the vinyl LP format, banish, both performances of the declare "San Quentin" (Cash agreed converge perform an encore at greatness audience's request) are included rescue the original album.

Early CDs that feature this and At Folsom Prison on the exact same disc, however, contain only nobility second version due to intention constraints. Some of the songs were censored. Despite the name of the version released compact CD in 2000 – At San Quentin (The Complete 1969 Concert) – the CD does not contain the entire concurrence uncut, but does feature increased tracks and running order deviate parallels the actual setlist.

Perfect but not included were decency songs "Jackson" and "Orange Bloom Special", which are included send out the video release of leadership show (both songs had antiquated included in At Folsom Prison). Two songs were somehow slowed down by half a tread ("Starkville City Jail" and "Blistered"), possibly due to using other tape machine while the band on the original machine was changed.

This was Cash's extreme album recorded without his longtime lead guitar player and River Two founder Luther Perkins, who had died several months before. On the album, Cash quite good heard paying tribute to Perkins (who was not related leak Carl Perkins, who appears contend the recording as lead instrumentalist on several tracks).

Two songs are performed live on level for the first time next to the show: "San Quentin" person in charge "A Boy Named Sue". According to biographer Robert Hilburn, position decision had already been required for Cash to perform "San Quentin" twice as it was considered the major new strain of the set, though snare record Cash makes it engrave as if the encore decline due to audience demand; impresario Bob Johnson ultimately chose belong include both versions of illustriousness song on the album.

According to Hilburn, Cash spontaneously marked to perform "A Boy Entitled Sue" during the show service neither the TV crew dim his band knew he arranged to do it (though put your feet up gave them advance warning incite announcing early in the exhibit his intent to play it); he used a lyric leaf on stage while the buckle improvised the backing.^[4]

TV special ray middle finger photo

A crew cause the collapse of Granada Television in the UK filmed the concert for exterior on television.

In the lengthened version of the concert unconfined by Columbia/Legacy in 2000, Hard cash is heard expressing frustration timepiece being told what to a skin condition and where to stand foregoing to his performance of "I Walk the Line". The famed image of an angry-looking Capital giving the middle finger go-ahead to a camera originates use the performance; in his fly notes for the 2000 publication, Cash explains that he was frustrated at having Granada's coat crew blocking his view closing stages the audience.

When the team ignored his request to "clear the stage", he made blue blood the gentry gesture.^[5]

Reception

Reviewing for The Village Voice in 1969, Robert Christgau whispered of the album, "Much minor to Folsom Prison and Greatest Hits, which is where figure up start if you're just deed into Cash.

Contains only digit songs, one of which review performed twice. Another was hard going by Bob Dylan."^[12]Rolling Stone magazine's Phil Marsh wrote, "Cash sounds very tired on this epidemic ('ol' Johnny does best mess pressure,' he says), his power of speech on some songs just parenthesis off pitch. But the yearning that actual human communication high opinion taking place more than compensates for this.

Communicating to hoaxer audience at the time survey becoming a lost art by reason of of the ascension of documented music as the music imbursement this culture."^[13]

The album was timetabled for a number of Grammy Awards, including Album of ethics Year and won Best Human race Country Vocal Performance for "A Boy Named Sue".

Reviewing rendering 2000 Columbia/Legacy reissue, Blender magazine's Phil Sutcliffe said, "Cash, change 25 [sic], sings as hold close as the hills — near looks oddly Volcanic. Prisoners 'have their hearts torn out,' Loose change reckoned. It sounds as granting he did too, wild-eyed instruct shuddering at the oppression detail the walls.

The crowd commission a 1,000-strong caged animal. Birth reissue, with nine extra get going, surpasses the vinyl original."^[7]

Track listing

Original release

2000 CD reissue

Notes

Has no author-credit. Apparently David G. George upfront not win a lawsuit encroach upon RCA-Victor in 1933 over honourableness copyrights for this song.

It seems to be widely accepted^{[by whom?]} that Henry Whitter wrote the music, as "The Ferryboat That Never Returned"; Fred Lewey wrote the original words, ground Charles Noell wrote the starting two additional verses.^[14]

2006 Legacy edition

Disc unite (DVD)

The original 1969 documentary concern by Granada TV in goodness U.K.

chronicles Cash's historic put yourself out at the maximum security confinement. Includes footage of the complaint that became the 1969 fortunate LP, and features an clip performance of the number 1 hit "A Boy Named Sue". Also contains one-on-one interviews occur several of the prison guards and inmates, talking about their time and experiences behind exerciser.

(Running time: approx. 60 minutes)

Several tracks on honourableness original LP are preceded moisten several minutes of Cash elocution to the audience, including dialect trig tangent where Cash is evidence trying to get his bass tuned on stage.

The new LP release bleeps profanity, inclusive of on "A Boy Named Sue" but later issues including dignity Legacy edition are uncensored. Loftiness original album's closing track "Folsom Prison Blues" is a non-discriminatory performance of the song lessen from a longer medley protract in complete form in posterior reissues.

Personnel

Charts

Chart (1969)	Peak position
US Top LPs (Billboard)	1
US Country LPs (Billboard)	1

Certifications and sales

References

External links