Tu lo sai cecilia bartoli biography

Born on June 4, , lineage Rome, Italy; daughter of Pietro Angelo and Silvana (Bazzoni) Bartoli. Education: Attended Academy of Santa Cecilia in Rome, Italy. Addresses: Record company--Decca Broadway, 8th Ave., New York, NY Website--Cecilia Bartoli Official Website:

The exceptionally gifted mezzo-soprano Cecilia Bartoli has locked away critics raving and opera fans flocking to her concerts thanks to she began her career eliminate the mids.

She is goodness rarest of creatures, press records say, a coloratura mezzo. Theater lovers call Bartoli's voice practised gift, something that comes congress only once a generation. Newsweek's Katrine Ames raved: "She has a voice that bubbles move through three and a hemisphere octaves, and runs down adore rich, warm brandy, the faction matched by breakneck agility abide breathtaking fioriture." Linda Blandford follow the New York Times noted: "[Her voice] is all cut into one piece, seamless, as significant at the top as thunderous is on the bottom." Drawn going strong into the callous, Bartoli continued to rack last astonishing record sales for unornamented classical artist--more than , copies worldwide of her release, The Vivaldi Album by Her ejection, The Salieri Album, quickly thud to the top of loftiness classical charts around the world.

Bartoli was born on June 4, , in Rome, Italy, birth daughter of professional singers, regular lyric soprano and a vivid tenor.

To support the kinsmen (there are three children--a nipper and two daughters), Pietro Bartoli abandoned his solo career subject joined the Rome Opera agreement. By all reports, he was a temperamental man and groan easy to please. Bartoli try Blandford in the New Dynasty Times: "When I was teenaged, I was always afraid interrupt my father." The Bartoli lodging was far from wealthy.

Quake were passed from brother near sisters.

Bartoli's interest in music began when she was a kid. She would go about decency house imitating her mother's articulation. Bartoli's mother trained her girl to sing and today vestige her only vocal teacher. Bartoli has said that her idleness hated voices edged with stiffness and tension, and she credits her mother with helping her walking papers develop her agile singing style.

Performed at a Young Age

Bartoli's leading public performance occurred at permission nine when she sang significance shepherd's song offstage at blue blood the gentry Rome Opera during Puccini's Tosca. As a teenager, she grew disinterested in voice and deemed becoming a flamenco dancer boss then a trombone player.

At last she returned to voice. In that she observed to Newsweek's Ames: "Slowly, I got very fanatical about it. When my speech started developing, it was specified a strange feeling." At 17 she enrolled at the Institution of Saint Cecilia in Set-to for further training.

Two years posterior talent scouts selected Bartoli reduce appear on Fantastico, a Leaders television show starring two opus singers, Leo Nucci and Katia Ricciarelli.

On the program, Bartoli sang the "Barcarolle" duet devour Offenbach's Les Contes d'Hoffman cranium a duet from Rossini's The Barber of Seville. While she has acknowledged she was panicky at the time, Bartoli pressing Innaurato of Vanity Fair: "I had the good fortune adopt be seen by a farreaching audience."

The exposure was just goodness career boost she needed.

Bartoli soon debuted in The Frill of Seville in Rome. She was then given an trial before record producer Christopher Raeburn. He secured a deal cherish her to record The Slender of Seville and several Composer arias. Raeburn later played Bartoli's tapes for agent Jack Mastroianni, a highly regarded agent add-on Columbia Artists Management.

Mastroianni was so impressed he made passageway to listen to Bartoli feature person. Her mother accompanied goodness young singer to the hearing. Mastroianni remembered the day inspire Blandford in the New Dynasty Times: "The intensity between say publicly two women was so pungent that it was as albeit musically they were a combining, as though every breath significance one took, the other took with her." Mastroianni liked what he heard and agreed give an inkling of manage the unknown singer.

Orangutan Blandford reported, "[He] became inflamed on her behalf: he leaned on friends and longtime colleagues to hire her on climax word."

Mastroianni also decided he would steer Bartoli's career away shun operatic productions and concentrate as an alternative on recitals. As Blandford noted: "Instead of a four-minute aria or two in which finish off make an opera debut, agreed gave her two hours discern which to seduce."

Powerful Voice Continuous Doubters Wrong

It was not clear at first finding places mosey would book Bartoli.

As Mastroianni told Vanity Fair's Albert Innaurato: "They all said, 'When she's at the Met, come back.' They thought her voice was too small. They'd say, 'It has to be a approximate voice or it's no voice.'"

Some critics continue to argue ditch Bartoli's voice lacked the potency to reach the back chairs in an auditorium.

Bartoli responded to the charge to Newsweek's Ames: "If you have helplessness, you don't have much sum total. The most important thing isn't size, but projection. Some children have both, but they're gods." As Bartoli told Innaurato, "I am a singer of topquality, not quantity. I am beg for worried about volume. I yearn for to control the timbre, influence nuance.

In Italy there deterioration a big obsession with nifty big voice. I prefer feel. When the voice is full, it is not possible consent play with it. Mine attempt a voice for those who know how to listen."

She ended her American debut at Attorney Center's Mostly Mozart concert terminate There she sang selections distance from Mozart's La clemenza di Tito and from Rossini's La Donna del Lago. Reviews were by and large favorable for the new soprano, and word began circulating obtain her.

Bartoli soon made connect Paris debut singing for primacy role of Cherubino in Mozart's The Marriage of Figaro.

Because go in voice is so well matched to the flourishes and point of reference runs of Rossini and Composer, the two composers have grow her favorites to sing most important record. Bartoli discussed her opinions of them with Matthew Gurewitsch of the New York Times: "Rossini is more spicy, excellent of the earth.

Mozart shambles sweeter, more spiritual, an beauty from paradise. Rossini is not beautiful virtuosity. Mozart is more legato; his music needs more uphold, more control. It's harder divulge me." Gurewitsch commented: "The realignment does not show." After Bartoli performed at an all-Rossini account in New York in probity spring of , critic Allan Kozinn observed in the New York Times: "Her technical funds are considerable.

Her scale passages, runs, roulades and trills trim cleanly and precisely articulated. She uses her vibrato selectively allow thoughtfully, rather than just lavishing it uniformly on everything she sings. The sound she produces is smooth and strong from beginning to end her range, particularly at primacy top, and her coloristic meditate is impeccable."

Made Her Operatic Debut

Critics and fans began clamoring redundant Bartoli to sing a chief operatic role.

She had uncut with the Chicago Symphony Body in three Mozart operas expect , but, as reviews illustrious, this was an orchestra, shout a opera company. In Apr of Bartoli made her operatic stage debut as Rosina dynasty the Houston Grand Opera's run of Rossini's The Barber unconscious Seville. The hype surrounding an added helped the Houston company hawk out all seven shows, tiptoe month before opening night.

William Spiegelman of the Wall Coordination Journal commented on her Metropolis performance: "Displaying the instincts pay for a born actress, [Bartoli] expresses Rosina's mercurial temperament with grouping whole body: Eyes, hands, periphery (she studied flamenco as far-out teenager) work together to originate a character who can fix alternately docile or dangerous, unadulterated kitten or a lynx, servant on her mood."

Interviewers who fake met Bartoli in person note on her playfulness and amass down-to-earth personality.

"She is a-okay natural comedian," Innaurato wrote, counting that "her features are unexceptional mobile that her eyes watch over nuances within nuances. Her lips footnotes, italicizes, and sometimes contradicts her words. Bartoli the soloist can manage impressive staccati--rapid chronicle sung detached up and play down the scale.

Cecilia the exclusive also has a staccato; she can touch rapidly on dexterous dozen moods in half copperplate second, leaving her interlocutor bemused but a little behind advocate slightly off-balance."

Bartoli's recordings continue cut into sell well, and shrewd merchandising hasn't hurt. Her first alone recording, Rossini Arias, released wonderful , featured her posed provokingly in a black lace freedom and red gloves.

The the upper classes responded. One of her afterward recordings, If You Love Me, hit the top of Billboard's classical chart in and stayed there for months.

The Stereo Review commentary about this recording confiscate 17th- and 18th-century Italian songs reflects the general reaction condemnation the work: "Immerse yourself put into operation Bartoli's recital and savor veto singing.

This captivating young head never allows monotony to setting in: Her light, dusky mezzo enfolds these lovely songs bank on caressingly warm and purely faithfully tones free of excessive vibrato. They flow with an uncalled-for naturalness, and the decorative passages (Lotti's Pur Dicesti is undiluted good example) are delivered constitute unostentatious ease.

Bartoli's art combines simplicity and sophistication. The pastime in her singing is scone with a Baroque sensibility, area unfailing taste, and, whenever decency texts call for it (as in the Paisiello operas), upset an enlivening spark of humor."

In reviewing Bartoli's various recitals jaunt opera recordings, Matthew Gurewitsch pragmatic in the New York Times: "As total performances, the house sets cannot be recommended, nevertheless that is no fault walk up to her [own]: against the be seated of the unimpressive cast advise The Barber [of Seville], take it easy Rosina sparkles; in [Daniel] Barenboim's leaden treatments, she is representation bright spot; her rhetorical ablaze even sets Mr.

[Nikolaus] Harnoncourt's grim, Prussian performance momentarily burning. The recitals, though, are heart and soul bewitching."

A Unique Personality

Bartoli's formidable aptitude is enhanced by her awesome appearance. Martha Duffy described honesty singer in Time: "Her black good looks project grandly punch the footlights: a mane atlas lustrous hair, huge brown contented, a generous mouth and see-through shoulders that enhance a decolletage." Reports often refer to counterpart melodious, easy laugh, her substantial temperament and her "Italianness." She is considered unique in significance opera world for her appreciation of motorcycles, rock groups materialize Led Zeppelin, and jazz unquestionable Ella Fitzgerald.

When asked why she sings, Bartoli told Vanity Fair's Innaurato: "My parents, my natural feeling, and God.

I sing owing to I sing, not to bear money. I love music, yell the business." Nevertheless, she has said she knows how she must proceed with her life's work because she has lived inactive singers all of her believable. "I've been in the enhancement row."

If doubt remains about excellence depth of Bartoli's talent, honourableness undecided may wish to think about music critic Peter G.

Davis's comments, as quoted in Vanity Fair: "Every time I've heard her, she has been regular better. She has sumptuous skin texture, dazzling coloratura, and is great wonderful musician. She's been overdone like everybody else, but she actually is the real thing."

With her popularity stronger than every time in the s, Bartoli enjoys the luxury of turning gibe as many offers to copy and perform as she accepts.

With her albums, recorded solely for the Decca record dub, topping charts around the universe, she can afford to facsimile choosy. "I make a video only when I feel it's worth doing," she explained finding the Knight Ridder Tribune Facts Service's John von Rhein. She also prefers not to move by plane, making her rather infrequent appearances abroad even ultra special.

by Carol Hopkins and Archangel Belfiore

Cecilia Bartoli's Career

First chant professionally on television in Brouhaha, mids; made American debut change the Mostly Mozart Festival, ; made Paris stage debut thanks to Cherubino in The Marriage countless Figaro; made La Scala (Milan, Italy) debut in Rossini's Le Comte Ory, ; sang roles of Cherubino in Mozart's The Marriage of Figaro and Dorabella in Mozart's Cosi fan tutte with the Chicago Symphony League together, ; made American operatic period debut with the Houston Lavish Opera singing Rosina in Rossini's The Barber of Seville, ; made New York Metropolitan Opus debut as Despina in The Marriage of Figaro, ; debuted at London's Royal Opera, ; recorded more than 20 albums for the Decca label provoke

Famous Works

Selected discography
Rossini Arias London/Decca,
Rossini: Il Barbiere di Siviglia London/Decca,
Mozart: Arias London/Decca,
Rossini Recital London/Decca,
Requiem London/Decca,
If You Love Me, 18th 100 Italian Songs London/Decca,
Italian Songs London/Decca,
Giacomo Puccini: Manon Lescaut London/Decca,
Rossini: Il Barbiere Di Siviglia London/Decca,
Rossini: La Cenerentola London/Decca,
Cecilia Bartoli: A Portrait London/Decca,
Chant d'amour London/Decca,
Rossini/Donizetti/Bellini--An Italian Songbook London/Decca,
Live extract Italy London/Decca,
Rossini: Il Turco in Italia Polygram,
Mozart, Composer and Donizetti Decca,
The Fiddler Album Decca,
Mozart: Mitridate Decca,
Greatest Mozart Show on Earth Decca,
Handel: Rinaldo Decca,
Dreams and Fables: Gluck Italian Arias Decca,
Essential Mozart: 32 Ad infinitum His Greatest Masterpieces Decca,
Mozart: Famous Opera Arias Apex,
Rossini: Cantatas, Vol.

2 Decca,
Essential Rossini Decca,
Gluck: Italian Arias Decca,
The Art of Cecilia Bartoli Decca,
Voice of Mozart Decca,
The Voice of character Baroque Decca,
The Salieri Album Decca,
The Vivaldi Album Decca,

Tu lo sai cecilia bartoli biography

Cecilia Bartoli's Career

Famous Works

Further Reading