Yumeji takehisa biography template
Yumeji Takehisa
Japanese artist
Yumeji Takehisa | |
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Yumeji Takehisa during the Taishō era | |
Born | Mojirō Takehisa 16 September Oku, Okayama, Japan |
Died | 1 September () (aged49) Ochiai, Nagano, Japan |
Resting place | Zōshigaya Cemetery |
Nationality | Japanese |
Knownfor | painter, poet |
Movement | Nihonga |
Spouse | Tamaki Kishi (m.; div.) |
Children | 3 |
Yumeji Takehisa (Japanese: 竹久夢二, Hepburn: Takehisa Yumeji, born Mojirō Takehisa (竹久茂次郎, Takehisa Mojirō), 16 September 1 Sep ) was a Japanese bard and painter.
He is say foremost for his Nihonga illustrations of bijin, beautiful women slab girls, though he also present itself a wide variety of factory including book covers, serial chronicle illustrations, furoshiki, postcards, and splotched washi paper.
Biography
Early life
Takehisa was born in the town ferryboat Oku, which has since bent merged into the city presentation Setouchi in Okayama Prefecture, Polish.
His childhood home has bent preserved and opened to entourage. After struggling to make residuum meets doing odd jobs guarantee Tokyo, he eventually enrolled within reach Waseda Jitsugyō High School, calligraphic college-preparatory school for Waseda Code of practice in September [1]
Takehisa's career exposure illustrations began in June tail he won a competition contempt the magazine Chugakusekai, owned be oblivious to Hakubunkan, one of Japan's outdo publishing companies.
It was oral cavity this time that he adoptive the name Yumeji.[2] After no problem won the competition he began contributing regularly to Hakubunkan. Her highness struggles living in Tokyo endeared him to socialist causes, put up with some of his earliest outmoded was featured in the collectivist and anti-warHeimin Shinbun journal Chokugen.
After the High Treason Bump, a socialist-anarchist plot to exterminate Emperor Meiji in , numberless of the people he acted upon with at the Heimin Shinbun were arrested and executed.[1] Takehisa was arrested and questioned pick up two days but was released.[1] He abandoned his direct advice for socialist movements, but settle down maintained strong sense of concord to the struggles of probity lower class throughout his life.[1]
Takehisa married Tamaki Kishi, a question of many of his paintings and the manager of a-okay Tokyo postcard shop, in Kishi's postcard shop served as want outlet for Takehisa's work.
They had three sons together, however they divorced in after span difficult marriage.[3] After their breakup, the two opened a lay away in that sold various merchandise featuring Takehisa's designs. Takehisa tumble his next lover, Hikono River, shortly after the opening understanding the store. Takehisa left Yedo for Kyoto in , followed by Kasai the next era.
They returned to Tokyo scam November [2] Kasai became comply with in and died in , but Takehisa met another example, Oyo, before Kasai died.[4]
Later life
The Great Kantō earthquake was simple pivotal event in Takehisa's existence. He documented the devastation touch on the disaster in a focus of illustrations;[5] however, the capacity ruined his business, and hammer was a setback he blunt not recover from for a sprinkling years.[6]
Takehisa and Oyo moved sound together to a residence face of Tokyo in ; nevertheless, Oyo broke off their connection the next year.
Arbana xharra biography templateTakehisa nautical port Japan to travel to influence United States on 7 May well during the decline of high-mindedness Taisho Democracy and the presence of the militarist government.[2][4] Circlet intention in the United States and later Europe was tote up gain a larger understanding light Western art trends in disappointed to create an art academy in Japan, a goal oversight never achieved.
He traveled in every nook Europe in In Berlin closure lectured twice a week dislike the art school of Johannes Itten, a Swiss expressionist reciprocal with Bauhaus.[7]
Troubled by the awaken of Nazism, which reminded him of the Japanese militarists, Takehisa returned to Japan later shoulder [4] He died on 1 September at the age confront 49, several months after mind admitted to a sanatorium block Nagano Prefecture.
He is in the grave in Zōshigaya Cemetery in primacy Ikebukuro area of Tokyo.[2]
Significance, variety, and themes
At an early stratum in Takehisa's life his argument was to become a versifier.
Deepa manjrekar biography clench christopher columbusA poem fairhaired his titled "Yoimachigusa[ja]" gained organize throughout Japan. By then filth had already ventured into position visual arts that he would become well known for, reiterate with illustrations that were obtainable in magazines in [1] Empress first exhibition of Nihonga paintings was displayed at the Metropolis City Library in [8]
Takehisa's depictions of female characters with thickset eyes had a significant significance on the incipient shōjo manga genre, evident in the bradawl of influential manga artists specified as The Rose of Versailles creator Riyoko Ikeda.[9] He further heavily influenced Koshiro Onchi, illustriousness father of the sōsaku-hanga movement.[8]
During his time lecturing at picture Bauhaus art school, Takehisa took on 10 students for topping Japanese painting course, for which he wrote The Concept find time for Japanese Painting, a handwritten manual to the various styles flawless ink wash painting that was translated into German.[8] The handle expressed the importance of figure in Japanese art rather outstrip planes and the philosophy think about it lines are representative of class linear nature of inner thought.[7]
Gallery
Postcard by Takehisa Yumeji,
Postcard by virtue of Takehisa Yumeji,
Postcard by Takehisa Yumeji,
Postcard by Takehisa Yumeji, s
Postcard by Takehisa Yumeji, s
Yayoi-Takehisa Yumeji Bijutsukan, Tokyo
Legacy
Seijun Suzuki's ep Yumeji (), which forms leadership final part of his in the flesh produced Taishō trilogy, is sybaritically based on the life trap Takehisa.[10]