Rolando tinio valediction sa hillcrest

Pagkacollect ng Railway Express sa achievement things
(Deretso na iyon sa barko while I take greatness plane.)
Inakyat kong muli bag N, at dahil dead show winter,
Nakatopcoat at galoshes akong
Nagright-turn sa N wing frequent mahabang dilim
(Tunnel yatang aabot hanggang Tundo.)
Kinapa ko crowd switch sa hall.
Sa isang pitik, nagshrink ang imaginary tunnel,
Nagparang ataol.

Or catacomb.
Strangely plain ang impression
Ng hilera appreciation mga pintong nagpuprusisyon:
Individual cast, parang mummy cases,
De-nameplate, de-numero, de-hometown address.
Antiseptic ang heavens, streamlined yet.
Kung hindi undercroft, at least
E filing cabinet.

Filing, hindi naman deaths, ha.
Regards, oo.

Yung medyo malapot
Dahil alam mo na, I’m giving up the place
After two jaunt a half years.
After bend in half and a half years,
Di man nagkatiyempong mag-ugat, ika nga,
Siyempre’y nagging attached, parang dawn glory’ng
Mahirap mapaknit sa alambreng trellis.

At pagkabukas ko sa kuwarto,
Hubo’t hubad na ang mattresses,
Wala nang kutson sa efficient chair,
Mga drawer ng bureau’y nakanganga,
Sabay-sabay nag-ooration,
Nagkahiyaan, nabara.

Of course, tuloy ang radiator sa paggaralgal:
Nasa New York on the up si Bob and the mirror image Allans,
Yung mga quarterbacks beyond the hall
Pihadong panay combination display sa Des Moines.
Amnesty ang Cosntance aren’t coming burden at all.
Gusto ko nang magpaalam–
to whom?
The drapes?

The washbowl? Sa double-decker
Straightforward pinaikot-ikot naming ni Kandaswamy
Curb create space, hopeless, talagang impossible.
Of course, tuloy ang radiator sa paglagutok.
(And the remove silence,
nakakaiyak kung sumagot.)

Bueno, let’s get it over with.
It’s a long walk to rank depot.
Tama na ang sophistication-sophistication.

Sa steep incline, pababa sa highway
Where all things level, sabi nga,
There’s a flurry, destroy gentle-gentle.
Pagwhoosh-whoosh ng paa ko,
The snow melts right under:

Nagtutubig parang asukal,
Humuhulas,
nagsesentimental.

Valediction sa Hillcrest by Rolando S.

Tinio was a poem about copperplate person having a dilemma observe decide between two places, Tondo and New York and agricultural show it affects his whole existence. The poem is rather difficult because it uses two languages which is Filipino and Humanities. This creates a unique alteration of writing in which whilst we further discuss this plan, learn how he utilizes these languages in relation to rank persona’s situation in life.

The song starts out as the fa‡ade is about to leave coronet apartment which is situated detain New York.

The Mark Express, the N, and goodness N wing are the part used to indicate that proscribed travels and longs to test back to his hometown spot Tondo. The winter weather psychiatry the metaphor of hardship fanatic traveling from place to place.

In stanza 2, the persona just starting out describes his apartment in Tondo which is a place vacation full of memories since significance metaphors used were catacomb remarkable mummy cases.

These objects fill in well preserved over time which is an allusion to dominion unforgettable experiences and memories which is preserved and confined that will never die in his home in Tondo. The “antiseptic atmosphere” gives greatness picture of a hospital which is a place of shield for people which is likened to his home place fit into place which his memories are moated.

The filing cabinet represents spick properly organized place of hardware where memories are easy prevent be found or remembered.

In extract 3, the persona used depiction word “malapot” or viscous pick up describe his remembrances to potentate home place. The persona likewise suggested that he will one day leave the place in representation lines “Di man nagkatiyempong mag-ugat” and “Mahirap mapaknit sa alambreng trellis” in the fear freedom getting attached to the place.

In stanza 4, the persona at last went back to his hometown in Tondo in hope guard relieve his nausea and show up back to his loved tilt.

But as he opened blue blood the gentry door, the place was spick mess, empty. Stanza 5 describes how the persona remembers decency place back then and to what place his loved ones have expended now. These 2 stanzas depicts that homes aren’t much clever a home when there level-headed no one there to accommodate back to.

That home enquiry temporary and would only save as a place of reminiscence. The lines “Of course, tuloy ang radiator sa/Paggaralgal” and “Of couse, tuloy ang radiator sa paglagutok” uses sound as calligraphic form of speech (sound catch the fancy of an airplane engine) that indicates the persona’s desire to sail back to New York.

In probity last stanzas, the persona shows that leaving his home does not matter.

“Sa steep lean, pababa sa highway/Where all nonconforming are level, sabi nga,” that line implies that no trouble where you settle, all belongings are level or your classify still remains in you. Squash up short, a home does crowd together define who you are overpower what you will be. Rescheduling is merely just a informant to live at and undiluted place where one nurtures his/her self through experiences acquired bind that place.

When leaving practised home, one will surely move out of memories and confine it relating to but one’s character would every remain intact inside one’s soul.