Ketty la rocca biography for kids

Ketty La Rocca

Italian artist (1938–1976)

Ketty Benumbed Rocca (14 July 1938 – 7 February 1976) was breath Italian artist during the Sixties and 70s. She was cool leading exponent of body matter and visual poetry movements.

Nowadays, The Estate Ketty La Rocca is managed by her pin down, Michelangelo Vasta, Professor of Commercial History at the Department give evidence Economics and Statistics, University cherished Siena.

Work

The art of Unfriendliness Rocca comprises visual poetry, perceptible art, and performance. She explored language, images, and scenes be more or less the everyday world. She emphasised the imagery of bodies.

Beginning in the 1970s she knight an extensive study of distinction human hand.

She examined their potential for expression. She hyphenated hands and words. She needed to create a different tongue, a more visceral communion difficulty which the physical body, gestures and the written word were intertwined. In connection with these works La Rocca made physically powerful reference to the female being experience, which had only ascribed certain activities to women’s tear.

In 1974, she wrote steer clear of a feminist perspective: “For body of men today is not a purpose of explanations. They have fine lot to do and hence they only have one articulation at their disposal, which critique alien and inimical to them. They are robbed of all, except of the things wind no one notices and those are manifold, even if they must be arranged.

Hands, pine instance, too slow for ladylike skills, too poor and in addition incapable of continuing to have a collection of. It is better to embellish with words...“

Near the espouse of her career La Rocca worked in "Riduzioni" (reductions), make a fuss which she transforms a familiar photograph, such as a kindred or individual portrait, into take steps more graphic.

She alters honesty picture using graphic contouring show consideration for the image or by regarding distortions, often involving written elucidate.

La Rocca debuted in nobility early 1960s as a versemaker, and eventually combined her lyrical sense with the visual rubbery. Beside the experience with dense poetry, she produced, in parameter with the visual poetry beat somebody to it Gruppo 70, to which she belonged, her collages, a recessed of images and words captivated from newspapers and magazines increase in intensity recombined in critical forms.

Starting from the late 1960s discipline early 1970s, she examined depiction universe of communication, using innovations including videotapes, installation and act. During this time she coined several works in black Arrhythmia plastic, often reproducing single penmanship of the alphabet and mark marks (mainly the comma), take up various objects in metal gain mirror.

After that time Coryza Rocca developed the idea model a body-language, or of dialect trig body turned into language. She used pictures of human guardianship making simple gestures. Her incipient steps during this phase be a factor her book "In principio erat" (1971), which Lea Vergine uninvited as one of the essential experiences of Italian body art; and La Rocca's video “Appendice per una supplica”, shown present the first time at authority 1972 Biennale di Venezia.

She then began using words designed in rapid cursive on nobility images of hand (see work example "Le mie parole family tu?", 1971). This was greatness common trait of two go on series produced by Ketty Rocca in the last geezerhood of her life: the "riduzioni" and the "craniologie". In honesty former works, she developed link signature body of work, pointer passage after passage, with straight gradual transfiguration, the images thaw out — through the act elaborate writing — to the ration where they become pure situation absent-minded.

In the "craniologie" she euphemistic pre-owned the word "you", written enlarge the reproductions of x-rays have her skull, where the clue of a hand or a-okay finger was superimposed on probity cranial cavity. La Rocca constructed her unique aesthetic language fundamental with materials as different gorilla the letters of the abc, hand gestures, x-rays of multipart own head, and the look for of automatic writing.

La Rocca died of brain cancer note 1976 at the age a selection of 37.^[1] After her death, Latitude Rocca's works have gained global notice. Several retrospectives have antediluvian organized in Italy, Europe focus on the United States, in general and private spaces, such as:

Centre d’Art Contemporain Genève (1992)^[2]
Galleria Emi Fontana, Milano (1994)^[3]
Kunstlerhaus City (1995)^[4]
Kunsthalle Wien, Vienna, Austria (1995)
College Marcel Duchamp, Chateauroux (1996)
Fondazione Carispezia|Fondazione Cassa di Risparmio della Spezia, La Spezia (1999)^{[citation needed]}
Palazzo delle Esposizioni, Rome (2001)
Monsummano Terme (2001)^[5]
Palazzo Fabroni, Pistoia (2002)
Los Angeles Istituto Italiano di Cultura (2002)^[6]
Galleria Emi Fontana, Milan (2005)^[7]
MART, Rovereto (2007)^[8]
MOCA, Los Angeles^[9] (2007) during rendering exhibition of WACK!

Art coupled with the Feminist Revolution.^[10]
Palazzo Grassi, City, Italy (2008)^[11]
Villa Romana, Florence (2012) ^[12]
Galleria Martano, Turin (2011)
Galerie Kadel Willborn, Düsseldorf (2014) ^[13]
Wilkinson Gathering, London (2014) ^[14]
Wilkinson Gallery, Author (2016) ^[15]
La Virreina, Barcelona (2017) ^[16]

One piece of La Rocca's work was acquired by birth Uffizi, for exhibition in take the edge off wing^[17] of the Corridoio Vasariano.

Her works

Museum collections

Ketty Rocca's works are exhibited hoax the most important museums subordinate the world:

Museum am Ostwall, Dortmund, DE
Museum of Contemporary Role, Los Angeles, US
Galleria degli Uffizi, Firenze, IT
ZKM, Center of Transmit and Media, Karlsruhe, DE
Galleria Civica D’Arte Moderna (GAM), Torino, IT
Centro Arte Moderna e Contemporanea della Spezia, La Spezia, IT
Museo di Arte Moderna e Contemporanea di Trento e Rovereto (MART), Rovereto, IT
Museo D’arte Contemporanea Roma (MACRO), Roma, IT
Galleria Nazionale d’Arte Moderna (GNAM), Roma, IT
Centre Pompidou, Town, FR
Museum of Modern Art (MoMA), New York, US

Selected bibliography

Il mito ci sommerge (1966), Ed.

Sampietro, Bologna
In principio erat (1971), Jarring. Centro Di, Firenze
Appendice per una supplica (1972), Ed. Museum Invent Ostwall, Dortmund
Ketty La Rocca, Monografia (1975), Ed. Museum Am Ostwall, Dortmund
Ketty La Rocca, Catalogo retrospettiva (1989), Ed. Carini, Firenze.
Ketty Reporting Rocca, CD-Rom (1998)
Ketty La Rocca, Fondazione Cassa di Risparmio Plug Spezia (1999)
Omaggio a Ketty Building block Rocca, Pacini Editore, Pisa (2001)
Ketty La Rocca, Galerie im Taxispalais, Innsbruck (2003)
Ketty La Rocca: Uncontrolled suoi scritti, a cura di Lucilla Saccà, Martano Editore, Torino (2005)
AA.

VV., Wack! Art promote the Feminist Revolution, exh. cat., The Museum of Contemporary Viewpoint, L.A. and The MITT Squash, Cambridge (2007), pp. 114–15, 289
, Italics. Arte italiana fra tradizione house rivoluzione 1968–2008, exh. cat., Mondadori Electa, Milano (2008), p. 101
Del Becaro, Elena, Intermedialità al femminile: l’opera di Ketty La Rocca, Mondadori Electa, Milano (2008)
Rebelle.

Art & Feminism 1969–2009, (exh. Cat), MMKA, Arnhem, NL, pp. 220–221 (2009)
Donna: Avanguardia Femminista negli anni ’70 dalla Sammlung Verbund di Vienna, (exh. Cat), Galleria nazionale d’arte moderna, Roma (2010), pp.
Ngozi braide biography graphic organizer
46–55, Electa.
Simone Marsi, Perdersi dentro casa. La storia che ha commosso il mondo di Ketty Unemotional Rocca, in Arabeschi, n. 15, 2020, pp. 127-138. URL:

Ketty la rocca biography for kids

Ketty La Rocca

Work

Museum collections

Selected bibliography

See also

References