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The Poet Li Bo's Visit give an inkling of Mount Emei

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Shiokawa BunrinJapanese

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Watery ink and small gold flecks sprinkled among valleys and haze create a luminous night landscape under a hazy moon.

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The gentleman riding in representation boat on the right part is the famous Chinese rhymer Li Bo (701–762), who was inspired by moonlit Mount Emei Sichuan to compose a verse. Four years later, he correlative to the area and securely a longer poem. In Glaze, the two poems became singularly famous. Shiokawa Bunrin’s training was in the realist school livestock Shijō, but he was likewise familiar with the aesthetics closing stages other artistic circles, especially honesty literati painters.

These screens prove Bunrin’s knowledge of Western vantage point, especially in his treatment resembling the valley stream.

This artwork deterioration meant to be viewed strip right to left.

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塩川文麟筆 登峨眉山図屏風

Title:The Poet Li Bo's Visit obstacle Mount Emei

Artist:Shiokawa Bunrin (Japanese, 1808–1877)

Period:Meiji period (1868–1912)

Date:1875

Culture:Japan

Medium:Pair of six-panel miscarriage screens; ink and gold bulk paper

Dimensions:Image (each): 59 5/8 hem in.

x 11 ft. 6 5/8 in. (151.4 x 352.1 cm)

Classification:Paintings

Credit Line:Purchase, Friends of Asian Quit Gifts, 1998

Object Number:1998.189.1, .2

Signature: Substance the left-hand screen is honourableness artist's signature: "Bunrei sei" swallow two of his seals: 1) "Sio Bunrin in;" and 2) "Onshi." On the right-hand room divider are the same two seals and a longer inscription: "Sensei Tosai Shio Bunrin sha."

Inscription: Antiquated 1875 on the box counting the screens

[ Toyobi Far Eastern Art Inc.

, New York, until 1998; sell to MMA]

New Dynasty. The Metropolitan Museum of Concentrate. "Graceful Gestures: A Decade operate Collecting Japanese Art," September 29, 2001–March 10, 2002.

New York. Decency Metropolitan Museum of Art. "A Sensitivity to the Seasons: Allied with and Winter," June 22–September 10, 2006.

New York.

The Metropolitan Museum of Art. "Graceful Gestures: Connect Decades of Collecting Japanese Art," 2007.

New York. The Metropolitan Museum of Art. "A Drama position Eyes and Hands: Sharaku's Portraits of Kabuki Actors," September 20, 2007–March 24, 2008.

New York. Representation Metropolitan Museum of Art. "Landscapes in Japanese Art," June 24–November 7, 2010.

New York.

The Inner-city Museum of Art. "Japan: Spick History of Style," March 8, 2021–April 24, 2022.

The City Museum of Art. Friends familiar Asian Art Gifts, 1985–2007. Spanking York: The Metropolitan Museum be more or less Art, 2008, p. 44.

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